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Meet Dulce Sloan: 10 Fascinating Facts About the Voice Behind E!’s 10 Things You Don’t Know



Related: EOL ONLY- “10 Things You Don’t Know”: Brad Pitt & More Celeb Facts

Ladies and gentlemen, meet Dulce Sloan!

The comedian and actor is the voice behind E!’s new series 10 Things You Don’t Know. When the show premieres this Monday at 10 p.m., Sloan will reveal jaw-dropping facts about your favorite celebs, like Brad Pitt, Jennifer Lopez, Rihanna, Lady Gaga and more.

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“I’ve learned some really fun facts about people and it’s been really fun to do. It’s a very interesting process,” Sloan tells E! News exclusively about narrating the series. “You know, when you’re giving people facts about people, you gotta make sure stuff is 100 percent accurate, you gotta check all your sources.”

“Learning that Will Smith gave his father-in-law a heart attack because he was jumping out of a plane for his 50th birthday was wild,” she revealed. “I think that was probably the most interesting thing that I learned.”

Before the 10 Things premiere, we thought we’d get to know Sloan a little better as well. Check out 10 fascinating facts about Dulce Sloan below before the 10 Things You Don’t Know premiere next week!


EOL ONLY- “10 Things You Don’t Know”: Brad Pitt & More Celeb Facts

1. She hosts her own podcast That Black Ass Show, which celebrates America’s iconic black shows like The Fresh Prince of Bel Air and Atlanta. New episodes go live every Wednesday.

2. She’s a Daily Show With Trevor Noah correspondent and has hosted hilarious segments like “911 for White People Emergencies” and “What is Juneteenth? Dulce Sloan Explains.”

3. Her favorite movie ever is Corrina, Corrina and the last TV show she binged is Ugly Betty.

4. She’s a HUGE RuPaul’s Drag Race fan and has watched since season 1 (“I was at the first Drag Con”). While she’s met tons of queens, including Monique Hart, Nina West, Alaska, Manila Luzon, Jinx Monsoon, Alyssa Edwards, Willam, and Ongina, she says she relates most to Jujubee. “Jujubee has a way of breaking down a situation,” Sloan says. “She was the best part of All Stars.”


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5. Her first celebrity crush? “Chris Barrie from Red Dwarf. It’s a BBC show. That was my first TV crush,” she said before adding, “No, no, no, no. Bumper Robinson! Yeah, Bumper Robinson on Amen, I’ve wanted to marry him since I was a little girl. Bumper Robinson.”

6. Her favorite holiday is, “July 4th, because it’s my birthday.”

7. If she could only eat 1 food for the rest of her life it would be nachos.

8. The one famous person she’s dying to be friends with in real life? “Probably Leah Remini. She just looks like she’d throw hands,” Sloan says. “I just love watching her, also I always have an affinity for a white woman who keeps acrylic nails. Like since Saved By the Bell has had acrylic nails. I just want to know her. Like she just seems so interesting.”


Fascinating Facts About Brad Pitt’s Life and Career

9. She has a hidden talent. “I’m good at crafting. I had a jewelry business for a long time,” she says. “That’s what I’ve been doing during the quarantine in crafting.”

10. If she weren’t in the entertainment business, what career would she have? “I’ve thought about this. I think I would probably have been an archeologist or historian,” she reveals. “Yeah, if I wasn’t an actor and a comic I’d probably be a historian. I don’t know if I’d want to be a history teacher because if I’d be in the middle of like, ‘OK this is Mansa Musa, he was the richest man ever…Hey, you! Pay attention!’ I don’t think I could do that. Because it’s like, ‘You’re not as excited about Mansa Musa as I am? This is unacceptable to me. Get out of my classroom!'”

Source : E!News Read More

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Netflix is developing a live action ‘Assassin’s Creed’ show



Netflix announced this morning that it’s partnering with Ubisoft to adapt the game publisher’s “Assassin’s Creed” franchise into a live action series.

The franchise jumps around in history, telling the story of a secret society of assassins with “genetic memory” and their centuries-long battle the knights templar. It has sold 155 million games worldwide and was also turned into a nearly incomprehensible 2016 film starring Michael Fassbender and Marion Cotillard, which underperformed at the box office.

The companies say that they’re currently looking for a showrunner. Jason Altman and Danielle Kreinik of Ubisoft’s film and television division will serve as executive producers. (In addition to working on adaptations of Ubisoft’s intellectual property, the publisher is also involved in the Apple TV+ industry comedy “Mythic Quest.”)

“We’re excited to partner with Ubisoft and bring to life the rich, multilayered storytelling that Assassin’s Creed is beloved for,” said Netflix’s vice president of original series Peter Friedlander in a statement. “From its breathtaking historical worlds and massive global appeal as one of the best selling video game franchises of all time, we are committed to carefully crafting epic and thrilling entertainment based on this distinct IP and provide a deeper dive for fans and our members around the world to enjoy.”

It sounds like there could be follow-up shows as well, with the announcement saying that Netflix and Ubisoft will “tap into the iconic video game’s trove of dynamic stories with global mass appeal for adaptations of live action, animated, and anime series.”

Netflix recently placed an eight-episode order for “Resident Evil,” another video game franchise that was previously adapted for the big screen. And it also had a big hit with its adaptation of “The Witcher,” which is based on a fantasy book series that was popularized via video games.


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Original Content podcast: ‘Lovecraft Country’ is gloriously bonkers



As we tried to recap the first season of HBO’s “Lovecraft Country,” one thing became clear: The show is pretty nuts.

The story begins by sending Atticus “Tic” Freeman (Jonathan Majors), his friend Leti Lewis (Jurnee Smolett) and his uncle George (Courtney B. Vance) on a road trip across mid-’50s America in search of Tic’s missing father. You might assume that the search will occupy the entire season, or take even longer than that; instead, the initial storyline is wrapped up quickly.

And while there’s a story running through the whole season, most of the episodes are relatively self-contained, offering their own versions on various horror and science fiction tropes. There’s a haunted house episode, an Indiana Jones episode, a time travel episode and more.

The show isn’t perfect — the writing can be clunky, the special effects cheesy and cheap-looking. But at its best, it does an impressive job of mixing increasingly outlandish plots, creepy monsters (with plentiful gore) and a healthy dose of politics.

After all, “Lovecraft Country” (adapted form a book by Matt Ruff) is named after notoriously racist horror writer H.P. Lovecraft, but it focuses almost entirely on Black characters, making the case that old genres can be reinvigorated with diverse casts and a rethinking of political assumptions.

In addition to reviewing the show, the latest episode of the Original Content podcast also includes a discussion of Netflix earnings, the new season of “The Bachelorette” and the end of Quibi.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also follow us on Twitter or send us feedback directly. (Or suggest shows and movies for us to review!)

And if you’d like to skip ahead, here’s how the episode breaks down:
0:00 Intro
0:36 Netflix discussion
3:18 “The Bachelorette”
6:30 Quibi
14:35 “Lovecraft Country” review
31:32 “Lovecraft Country” spoiler discussion


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The short, strange life of Quibi



“All that is left now is to offer a profound apology for disappointing you and, ultimately, for letting you down,” Jeffrey Katzenberg and Meg Whitman wrote, closing out an open letter posted to Medium. “We cannot thank you enough for being there with us, and for us, every step of the way.”

With that, the founding executives confirmed the rumors and put Quibi to bed, a little more than six months after launching the service.

Starting a business is an impossibly difficult task under nearly any conditions, but even in a world that’s littered with high-profile failures, the streaming service’s swan song was remarkable for both its dramatically brief lifespan and the amount of money the company managed to raise (and spend) during that time.

A month ahead of its commercial launch, Quibi announced that it had raised another $750 million. That second round of funding brought the yet-to-launch streaming service’s funding up to $1.75 billion — roughly the same as the gross domestic product of Belize, give or take $100 million.

“We concluded a very successful second raise which will provide Quibi with a strong cash runway,” CFO Ambereen Toubassy told the press at the time. “This round of $750 million gives us tremendous flexibility and the financial wherewithal to build content and technology that consumers embrace.”

Quibi’s second funding round brought the yet-to-launch streaming service’s funding up to $1.75 billion — roughly the same as the gross domestic product of Belize, give or take $100 million.

From a financial perspective, Quibi had reason to be hopeful. Its fundraising ambitions were matched only by the aggressiveness with which it planned to spend that money. At the beginning of the year, Whitman touted the company’s plans to spend up to $100,000 per minute of programming — $6 million per hour. The executive proudly contrasted the jaw-dropping sum to the estimated $500 to $5,000 an hour spent by YouTube creators.

For Whitman and Katzenberg — best known for their respective reigns at HP and Disney — money was key to success in an already crowded marketplace. $1 billion was a drop in the bucket compared to the $17.3 billion Netflix was expected to spend on original content in 2020, but it was a start.

Following in the footsteps of Apple, who had also recently announced plans to spend $1 billion to launch its own fledgling streaming service, the company was enlisting A-List talent, from Steven Spielberg, Guillermo del Toro and Ridley Scott to Reese Witherspoon, Jennifer Lopez and LeBron James. If your name carried any sort of clout in Hollywood boardrooms, Quibi would happily cut you a check, seemingly regardless of content specifics.

Quibi’s strategy primarily defined itself by itself by its constraints. In hopes of attracting younger millennial and Gen Z, the company’s content would be not just mobile-first, but mobile-only. There would be no smart TV app, no Chromecast or AirPlay compatibility. Pricing, while low compared to the competition, was similarly off-putting. After a 90-day free trial, $4.99 got you an ad-supported subscription. And boy howdy, were there ads. Ads upon ads. Ads all the way down. Paying another $3 a month would make them go away.

Technological constraints and Terms of Service fine print forbade screen shots — a fundamental understanding of how content goes viral in 2020 (though, to be fair, one shared with other competing streaming services). Amusingly, the inability to share content led to videos like this one of director Sam Raimi’s perplexingly earnest “The Golden Arm.”

It features a built-on laugh track from viewers as Emmy winner Rachel Brosnahan lies in a hospital bed after refusing to remove a golden prosthetic. It’s an allegory, surely, but not one intentionally played for laughs. Many of the videos that did ultimately make the rounds on social media were regarded as a curiosity — strange artifacts from a nascent streaming service that made little sense on paper.

Most notable of all, however, were the “quick bites” that gave the service its confusingly pronounced name. Each program would be served in 5-10 minute chunks. The list included films acquired by the service, sliced up into “chapters.” Notably, the service didn’t actually purchase the content outright; instead, rights were set to revert to their creators after seven years. Meanwhile, after two years, content partners were able to “reassemble” the chunks back into a movie for distribution.


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