Taking too long? Close loading screen.
Connect with us

Entertainment

Jacob Blake: 5 Things To Know About Wisconsin Man Shot 7 Times By Police In Front Of Kids, Lawyer Says

Published

on

Jacob Blake, a father of three, was shot seven times by police officers in Kenosha, WI, on Sunday, August 23. Here are five things to know about the situation.

Cellphone footage capturing the moment a Black man was shot seven times by two police officers in Kenosha County, WI, on August 23, went viral this weekend (watch above), and as the story develops, more and more is being revealed about the shocking situation. The man, identified by Wisconsin Governor Tony Evers as Jacob Blake on Twitter, remains in critical condition after a confrontation with police, according to . Kenosha officers were called to investigate a domestic incident on Sunday evening, according to police, though it remains unconfirmed if Blake was involved in any incident. In the video, Blake walks around the front of a gray SUV with the two officers behind him. Blake appears unarmed in the video, but as he opens the driver side door of his car and leans in, the nearest officer to him grabs his tank top and seven shots are heard going off.

Following the incident, Attorney Benjamin Crump, who was reportedly hired by the Blake family as their legal representation, shared that Jacob’s three sons, ages 8, 5, and 3, per CNN, were in the vehicle at the time of the shooting. Crump also alleges that Blake was ‘breaking up a fight between two women’ when the police arrived. The Kenosha County Police Department has yet to provide details on witnesses present at the time.

After the shooting, police reportedly provided medical aid to Jacob before he was flown to Froedtert Hospital in Milwaukee, according to CNN. The 29-year-old was taken into surgery upon arrival and is currently in stable condition, per NBC News. After citizens saw the event unfold in the video, which was circulated on social media, protests began in the Wisconsin county that lasted into the night and saw damage done to vehicles, windows, and the county courthouse.

On the morning of August 24, Democratic Presidential Nominee Joe Biden released a passionate, sorrowful statement regarding the tragic event. “Yesterday in Kenosha, Wisconsin, Jacob Blake was shot seven times in the back as police attempted to restrain him from getting into his car. His children watched from inside the car and bystanders watched in disbelief,” he wrote in a statement. “And this morning, the nation wakes up yet again with grief and outrage that yet another Black American is a victim of excessive force. This calls for an immediate, full and transparent investigation and the officers must be held accountable.” Biden went on to say that he and his wife, Dr. Jill Biden, “pray for Jacob’s recovery and for his children.”

The presidential hopeful also offered a piercing observation regarding the treatment of Black citizens in the United States, writing, “Equal justice has not been real for Black Americans and so many others. We are at an inflection point. We must dismantle systemic racism. It is the urgent task before us. We must fight to honor the ideals laid in the original American promise, which we are yet to attain: That all men and women are created equal, but more importantly that they must be treated equally.” As these events continue to unfold, here are five facts you should know about Jacob Blake.

1) Governor Tony Evers Vows To ‘Demand Justice’ For Jacob Blake. At 11:35 pm ET on August 23, Governor Tony Evers took to Twitter to reveal some of the details of the case, identifying the man as Jacob Blake and sending his earnest hope that he would “not succumb to his injuries.” He also made a statement on August 23 regarding the state of police brutality in America: “While we do not have all of the details yet, what we know for certain is that he is not the first Black man or person to have been shot or injured or mercilessly killed at the hands of individuals in law enforcement in our state or our country,” he shared, adding, “We stand with all those who have and continue to demand justice, equity, and accountability for Black lives in our country–lives like those of George Floyd, of Breonna Taylor, Tony Robinson, Dontre Hamilton, Ernest Lacy, and Sylville Smith.”

2) Attorney Benjamin Crump alleged that Jacob’s sons were in the vehicle. Benjamin Crump, who is reportedly serving as the attorney for George Floyd‘s family, was contacted by Jacob Blake’s loved ones for legal representation and counsel. Crump took to Twitter, alleging that Jacob’s three sons were in the car at the time of the shooting. “Jacob Blake’s 3 SONS were IN THE CAR he was getting into when [Kenosha Police] shot him tonight. They saw a cop shoot their father,” he tweeted on August 23 at 11:44 pm ET. “They will be traumatized forever. We cannot let officers violate their duty to PROTECT us. Our kids deserve better!!” This information is according to the attorney as well as Jacob’s family members, including Laquisha Booker, who identified herself as Jacob’s fiancee in the news clip from above from TMJ4 in Milwaukee.

Crump also gave a more detailed statement and account from the Blake family. “We all watched the horrific video of Jacob Blake being shot in the back several times by Kenosha police. Even worse, his three sons witnessed their father collapse after being riddled with bullets. Their irresponsible, reckless, and inhumane actions nearly cost the life of a man who was simply trying to do the right thing by intervening in a domestic incident. It’s a miracle he’s still alive,” his official statement from his law office read. “We will seek justice for Jacob Blake and for his family as we demand answers from the Kenosha Police Department. How many more of these tragic “while Black” tragedies will it take until the racial profiling and undervaluing of Black lives by the police finally stops?”

3) The graphic video is spurring outrage. In the now-viral video of the incident, a Black man (Jacob Blake) is seen walking away from two officers in the direction of his vehicle. As the man opens the driver’s side door and leans in, at least seven gunshots can be heard. Jacob Blake was identified as the man in the violent, graphic video, and his three children were allegedly in the car during the incident, according to the family attorney and Jacob’s loved ones.

4) The shooting sparked protests in Kenosha County. Much like the protests that occurred decrying police brutality after the death of George Floyd, demonstrations in Kenosha County erupted over night. As a result, a curfew was implemented by the county and as of Monday, August 24, the county courthouse remains closed after sustaining damage with officers lining the exterior.

5) Many are taking to Twitter asking people not to circulate the graphic video. A number of citizens took to social media asking that no one resurface the traumatizing video. “I wish Twitter would wipe away any videos containing the murders of Black people,” one Twitter user shared. “Instead of sharing another video of another black man being shot by the state, please share this,” another citizen tweeted with a photo of Jacob and his three sons. “Praying for Jacob Blake’s survival and his family. These children define him, not the Kenosha police.” Another person aptly tweeted, “White people have no idea how much trauma it causes to see my whole feed filled with them reposting a Black person being lynched by police and then having to go out into the world as a Black person.”

HollywoodLife encourages its readership to seek out these resources to donate, volunteer, and stand in solidarity with the Black Lives Matter movement and end systemic racism.

Source : Hollywood Life Read More

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Netflix is developing a live action ‘Assassin’s Creed’ show

Published

on

Netflix announced this morning that it’s partnering with Ubisoft to adapt the game publisher’s “Assassin’s Creed” franchise into a live action series.

The franchise jumps around in history, telling the story of a secret society of assassins with “genetic memory” and their centuries-long battle the knights templar. It has sold 155 million games worldwide and was also turned into a nearly incomprehensible 2016 film starring Michael Fassbender and Marion Cotillard, which underperformed at the box office.

The companies say that they’re currently looking for a showrunner. Jason Altman and Danielle Kreinik of Ubisoft’s film and television division will serve as executive producers. (In addition to working on adaptations of Ubisoft’s intellectual property, the publisher is also involved in the Apple TV+ industry comedy “Mythic Quest.”)

“We’re excited to partner with Ubisoft and bring to life the rich, multilayered storytelling that Assassin’s Creed is beloved for,” said Netflix’s vice president of original series Peter Friedlander in a statement. “From its breathtaking historical worlds and massive global appeal as one of the best selling video game franchises of all time, we are committed to carefully crafting epic and thrilling entertainment based on this distinct IP and provide a deeper dive for fans and our members around the world to enjoy.”

It sounds like there could be follow-up shows as well, with the announcement saying that Netflix and Ubisoft will “tap into the iconic video game’s trove of dynamic stories with global mass appeal for adaptations of live action, animated, and anime series.”

Netflix recently placed an eight-episode order for “Resident Evil,” another video game franchise that was previously adapted for the big screen. And it also had a big hit with its adaptation of “The Witcher,” which is based on a fantasy book series that was popularized via video games.

Source

Continue Reading

Entertainment

Original Content podcast: ‘Lovecraft Country’ is gloriously bonkers

Published

on

As we tried to recap the first season of HBO’s “Lovecraft Country,” one thing became clear: The show is pretty nuts.

The story begins by sending Atticus “Tic” Freeman (Jonathan Majors), his friend Leti Lewis (Jurnee Smolett) and his uncle George (Courtney B. Vance) on a road trip across mid-’50s America in search of Tic’s missing father. You might assume that the search will occupy the entire season, or take even longer than that; instead, the initial storyline is wrapped up quickly.

And while there’s a story running through the whole season, most of the episodes are relatively self-contained, offering their own versions on various horror and science fiction tropes. There’s a haunted house episode, an Indiana Jones episode, a time travel episode and more.

The show isn’t perfect — the writing can be clunky, the special effects cheesy and cheap-looking. But at its best, it does an impressive job of mixing increasingly outlandish plots, creepy monsters (with plentiful gore) and a healthy dose of politics.

After all, “Lovecraft Country” (adapted form a book by Matt Ruff) is named after notoriously racist horror writer H.P. Lovecraft, but it focuses almost entirely on Black characters, making the case that old genres can be reinvigorated with diverse casts and a rethinking of political assumptions.

In addition to reviewing the show, the latest episode of the Original Content podcast also includes a discussion of Netflix earnings, the new season of “The Bachelorette” and the end of Quibi.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also follow us on Twitter or send us feedback directly. (Or suggest shows and movies for us to review!)

And if you’d like to skip ahead, here’s how the episode breaks down:
0:00 Intro
0:36 Netflix discussion
3:18 “The Bachelorette”
6:30 Quibi
14:35 “Lovecraft Country” review
31:32 “Lovecraft Country” spoiler discussion

Source

Continue Reading

Entertainment

The short, strange life of Quibi

Published

on

“All that is left now is to offer a profound apology for disappointing you and, ultimately, for letting you down,” Jeffrey Katzenberg and Meg Whitman wrote, closing out an open letter posted to Medium. “We cannot thank you enough for being there with us, and for us, every step of the way.”

With that, the founding executives confirmed the rumors and put Quibi to bed, a little more than six months after launching the service.

Starting a business is an impossibly difficult task under nearly any conditions, but even in a world that’s littered with high-profile failures, the streaming service’s swan song was remarkable for both its dramatically brief lifespan and the amount of money the company managed to raise (and spend) during that time.

A month ahead of its commercial launch, Quibi announced that it had raised another $750 million. That second round of funding brought the yet-to-launch streaming service’s funding up to $1.75 billion — roughly the same as the gross domestic product of Belize, give or take $100 million.

“We concluded a very successful second raise which will provide Quibi with a strong cash runway,” CFO Ambereen Toubassy told the press at the time. “This round of $750 million gives us tremendous flexibility and the financial wherewithal to build content and technology that consumers embrace.”

Quibi’s second funding round brought the yet-to-launch streaming service’s funding up to $1.75 billion — roughly the same as the gross domestic product of Belize, give or take $100 million.

From a financial perspective, Quibi had reason to be hopeful. Its fundraising ambitions were matched only by the aggressiveness with which it planned to spend that money. At the beginning of the year, Whitman touted the company’s plans to spend up to $100,000 per minute of programming — $6 million per hour. The executive proudly contrasted the jaw-dropping sum to the estimated $500 to $5,000 an hour spent by YouTube creators.

For Whitman and Katzenberg — best known for their respective reigns at HP and Disney — money was key to success in an already crowded marketplace. $1 billion was a drop in the bucket compared to the $17.3 billion Netflix was expected to spend on original content in 2020, but it was a start.

Following in the footsteps of Apple, who had also recently announced plans to spend $1 billion to launch its own fledgling streaming service, the company was enlisting A-List talent, from Steven Spielberg, Guillermo del Toro and Ridley Scott to Reese Witherspoon, Jennifer Lopez and LeBron James. If your name carried any sort of clout in Hollywood boardrooms, Quibi would happily cut you a check, seemingly regardless of content specifics.

Quibi’s strategy primarily defined itself by itself by its constraints. In hopes of attracting younger millennial and Gen Z, the company’s content would be not just mobile-first, but mobile-only. There would be no smart TV app, no Chromecast or AirPlay compatibility. Pricing, while low compared to the competition, was similarly off-putting. After a 90-day free trial, $4.99 got you an ad-supported subscription. And boy howdy, were there ads. Ads upon ads. Ads all the way down. Paying another $3 a month would make them go away.

Technological constraints and Terms of Service fine print forbade screen shots — a fundamental understanding of how content goes viral in 2020 (though, to be fair, one shared with other competing streaming services). Amusingly, the inability to share content led to videos like this one of director Sam Raimi’s perplexingly earnest “The Golden Arm.”

It features a built-on laugh track from viewers as Emmy winner Rachel Brosnahan lies in a hospital bed after refusing to remove a golden prosthetic. It’s an allegory, surely, but not one intentionally played for laughs. Many of the videos that did ultimately make the rounds on social media were regarded as a curiosity — strange artifacts from a nascent streaming service that made little sense on paper.

Most notable of all, however, were the “quick bites” that gave the service its confusingly pronounced name. Each program would be served in 5-10 minute chunks. The list included films acquired by the service, sliced up into “chapters.” Notably, the service didn’t actually purchase the content outright; instead, rights were set to revert to their creators after seven years. Meanwhile, after two years, content partners were able to “reassemble” the chunks back into a movie for distribution.

Source

Continue Reading

Trending