Taking too long? Close loading screen.
Connect with us


20 Hottest KarJenner Birthday Looks Of All-Time: Kylie’s Balmain Dress, Kendall’s Silver Mini & More



Put on your birthday best! We’re taking a look back at some of the hottest looks the KarJenner women have worn to celebrate each of their birthdays!

We all know that no one does style quite like the Kardashian and Jenner sisters, but they really kick it up a notch when it comes to birthday celebrations! A birthday in the KarJenner family isn’t just an ordinary occasion; it’s an event. Often those events are marked by big, blowout bashes and the most exclusive invites in Hollywood. That also means looking your absolute fiercest and best! Leave it to Kylie Jenner, Kourtney Kardashian, Kim, Khloe, and Kendall to show the world how birthday style is really done!

Kylie just celebrated her 23rd birthday in the most glamorous way possible – a trip to Turks and Caicos and a week-long celebration in LA. Her birthday outfits were nothing short of amazing and some of our favorite looks include her Farai London Gaia Dress in Multicolor. The green, blue, and yellow mini dress featured a plunging V-neck halter neckline with a metal circle loop at her chest. Meanwhile, the sides of the dress were completely cut out, revealing her tiny waist. Another one of our fave looks was her Balmain Resort 2021 Crystal Mini Dress which was custom made for her by designer Olivier Rousteing. The skintight orange mini dress was completely covered in blue, orange, and black gems. As if her looks couldn’t get any better, Kylie stepped out for lunch at 40 Love in LA on Aug. 13 when she wore a long-sleeve, emerald green Jacquemus La Robe Murano Dress with a corset bodice. She styled the frock with a pair of black patent leather Prada Leather Zip Pocket Combat Booties, a Skims Face Mask in Onyx, and a Prada Re-Edition Nylon Shoulder Bag.

kylie jenner
Kylie Jenner was out for lunch at 40 Love in LA on Aug. 13 when she wore a long-sleeve, emerald green Jacquemus La Robe Murano Dress with a pair of black patent leather Prada Leather Zip Pocket Combat Booties, a Skims Face Mask in Onyx, & a Prada Re-Edition Nylon Shoulder Bag. (TherealSPW / MEGA)

Fans across the globe remember Kylie’s Mediterranean getaway for 22nd birthday, as well. Kylie’s birthday on Aug. 10, 2019, was a dream getaway for the young billionaire and her closest confidants. Kylie invited momager , then-boyfriend , and a select few of her close friends, including and on a massive yacht . The group spent most of their time in Italian towns and islands like Positano, Campania, and Capri, and Kylie had for the luxurious vacation. One of Kylie’s boldest looks was a pair of red high-waisted pants, styled with a white ruffle top, sneakers, sunglasses, and gold jewelry. She wore the chic ensemble while out with Travis in Portofino. The pair enjoyed the sun, food, and culture of the stunning region.

Of course, Kylie isn’t the only one in the family with flawless fashion! Kourtney rocked a super sexy glittering purple dress to Kylie’s 21st birthday party on Aug. 9, 2018. Kourt looked absolutely flawless in the little number, showing off her incredibly toned legs and her perfect, bronze tan. Kourtney dressed down her look by wearing translucent heels and a pair of gold hoop earrings for the event. The mother-of-three couldn’t have looked better!

kourtney kardashian
Kourtney Kardashian on her way to Kylie Jenner’s 21st birthday party on Aug. 9, 2018 [SplashNews].

Although Kourtney’s look at then-partner Scott’s 33rd birthday was equally as hot! Kourtney went with a camouflage-inspired pattern on her green dress and wore her hair in a high ponytail for the May 27, 2016 birthday bash at 1OAK at The Mirage in Las Vegas. Kourt fashioned a pair of fringed high heels and wore subtle pieces of jewelry, save for her gold hoop earrings! Her makeup was done to bring out her stunning eyes and Kourtney looked ready for the night’s soiree!

There are so many more great birthday looks that the KarJenners have worn over the years. To see more, click through the gallery above!

Source : Hollywood Life Read More

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *


Netflix is developing a live action ‘Assassin’s Creed’ show



Netflix announced this morning that it’s partnering with Ubisoft to adapt the game publisher’s “Assassin’s Creed” franchise into a live action series.

The franchise jumps around in history, telling the story of a secret society of assassins with “genetic memory” and their centuries-long battle the knights templar. It has sold 155 million games worldwide and was also turned into a nearly incomprehensible 2016 film starring Michael Fassbender and Marion Cotillard, which underperformed at the box office.

The companies say that they’re currently looking for a showrunner. Jason Altman and Danielle Kreinik of Ubisoft’s film and television division will serve as executive producers. (In addition to working on adaptations of Ubisoft’s intellectual property, the publisher is also involved in the Apple TV+ industry comedy “Mythic Quest.”)

“We’re excited to partner with Ubisoft and bring to life the rich, multilayered storytelling that Assassin’s Creed is beloved for,” said Netflix’s vice president of original series Peter Friedlander in a statement. “From its breathtaking historical worlds and massive global appeal as one of the best selling video game franchises of all time, we are committed to carefully crafting epic and thrilling entertainment based on this distinct IP and provide a deeper dive for fans and our members around the world to enjoy.”

It sounds like there could be follow-up shows as well, with the announcement saying that Netflix and Ubisoft will “tap into the iconic video game’s trove of dynamic stories with global mass appeal for adaptations of live action, animated, and anime series.”

Netflix recently placed an eight-episode order for “Resident Evil,” another video game franchise that was previously adapted for the big screen. And it also had a big hit with its adaptation of “The Witcher,” which is based on a fantasy book series that was popularized via video games.


Continue Reading


Original Content podcast: ‘Lovecraft Country’ is gloriously bonkers



As we tried to recap the first season of HBO’s “Lovecraft Country,” one thing became clear: The show is pretty nuts.

The story begins by sending Atticus “Tic” Freeman (Jonathan Majors), his friend Leti Lewis (Jurnee Smolett) and his uncle George (Courtney B. Vance) on a road trip across mid-’50s America in search of Tic’s missing father. You might assume that the search will occupy the entire season, or take even longer than that; instead, the initial storyline is wrapped up quickly.

And while there’s a story running through the whole season, most of the episodes are relatively self-contained, offering their own versions on various horror and science fiction tropes. There’s a haunted house episode, an Indiana Jones episode, a time travel episode and more.

The show isn’t perfect — the writing can be clunky, the special effects cheesy and cheap-looking. But at its best, it does an impressive job of mixing increasingly outlandish plots, creepy monsters (with plentiful gore) and a healthy dose of politics.

After all, “Lovecraft Country” (adapted form a book by Matt Ruff) is named after notoriously racist horror writer H.P. Lovecraft, but it focuses almost entirely on Black characters, making the case that old genres can be reinvigorated with diverse casts and a rethinking of political assumptions.

In addition to reviewing the show, the latest episode of the Original Content podcast also includes a discussion of Netflix earnings, the new season of “The Bachelorette” and the end of Quibi.

You can listen in the player below, subscribe using Apple Podcasts or find us in your podcast player of choice. If you like the show, please let us know by leaving a review on Apple. You can also follow us on Twitter or send us feedback directly. (Or suggest shows and movies for us to review!)

And if you’d like to skip ahead, here’s how the episode breaks down:
0:00 Intro
0:36 Netflix discussion
3:18 “The Bachelorette”
6:30 Quibi
14:35 “Lovecraft Country” review
31:32 “Lovecraft Country” spoiler discussion


Continue Reading


The short, strange life of Quibi



“All that is left now is to offer a profound apology for disappointing you and, ultimately, for letting you down,” Jeffrey Katzenberg and Meg Whitman wrote, closing out an open letter posted to Medium. “We cannot thank you enough for being there with us, and for us, every step of the way.”

With that, the founding executives confirmed the rumors and put Quibi to bed, a little more than six months after launching the service.

Starting a business is an impossibly difficult task under nearly any conditions, but even in a world that’s littered with high-profile failures, the streaming service’s swan song was remarkable for both its dramatically brief lifespan and the amount of money the company managed to raise (and spend) during that time.

A month ahead of its commercial launch, Quibi announced that it had raised another $750 million. That second round of funding brought the yet-to-launch streaming service’s funding up to $1.75 billion — roughly the same as the gross domestic product of Belize, give or take $100 million.

“We concluded a very successful second raise which will provide Quibi with a strong cash runway,” CFO Ambereen Toubassy told the press at the time. “This round of $750 million gives us tremendous flexibility and the financial wherewithal to build content and technology that consumers embrace.”

Quibi’s second funding round brought the yet-to-launch streaming service’s funding up to $1.75 billion — roughly the same as the gross domestic product of Belize, give or take $100 million.

From a financial perspective, Quibi had reason to be hopeful. Its fundraising ambitions were matched only by the aggressiveness with which it planned to spend that money. At the beginning of the year, Whitman touted the company’s plans to spend up to $100,000 per minute of programming — $6 million per hour. The executive proudly contrasted the jaw-dropping sum to the estimated $500 to $5,000 an hour spent by YouTube creators.

For Whitman and Katzenberg — best known for their respective reigns at HP and Disney — money was key to success in an already crowded marketplace. $1 billion was a drop in the bucket compared to the $17.3 billion Netflix was expected to spend on original content in 2020, but it was a start.

Following in the footsteps of Apple, who had also recently announced plans to spend $1 billion to launch its own fledgling streaming service, the company was enlisting A-List talent, from Steven Spielberg, Guillermo del Toro and Ridley Scott to Reese Witherspoon, Jennifer Lopez and LeBron James. If your name carried any sort of clout in Hollywood boardrooms, Quibi would happily cut you a check, seemingly regardless of content specifics.

Quibi’s strategy primarily defined itself by itself by its constraints. In hopes of attracting younger millennial and Gen Z, the company’s content would be not just mobile-first, but mobile-only. There would be no smart TV app, no Chromecast or AirPlay compatibility. Pricing, while low compared to the competition, was similarly off-putting. After a 90-day free trial, $4.99 got you an ad-supported subscription. And boy howdy, were there ads. Ads upon ads. Ads all the way down. Paying another $3 a month would make them go away.

Technological constraints and Terms of Service fine print forbade screen shots — a fundamental understanding of how content goes viral in 2020 (though, to be fair, one shared with other competing streaming services). Amusingly, the inability to share content led to videos like this one of director Sam Raimi’s perplexingly earnest “The Golden Arm.”

It features a built-on laugh track from viewers as Emmy winner Rachel Brosnahan lies in a hospital bed after refusing to remove a golden prosthetic. It’s an allegory, surely, but not one intentionally played for laughs. Many of the videos that did ultimately make the rounds on social media were regarded as a curiosity — strange artifacts from a nascent streaming service that made little sense on paper.

Most notable of all, however, were the “quick bites” that gave the service its confusingly pronounced name. Each program would be served in 5-10 minute chunks. The list included films acquired by the service, sliced up into “chapters.” Notably, the service didn’t actually purchase the content outright; instead, rights were set to revert to their creators after seven years. Meanwhile, after two years, content partners were able to “reassemble” the chunks back into a movie for distribution.


Continue Reading